History and analysis of electroacoustic music

Principles of history of electro-acoustic music from the ’50s to this day
General musical analysis and Molino’s tripartition
Specific problematics of electro-acoustic musical analysis
Schaeffer and “l’object sonore”
Doati’s perceptive-cognitive method and Giomi and Ligabue’s esthesic-cognitive method
Emmerson and the relationship between languages and materials
Introduction to Smalley’s spectromorphologic theory
Listening and analysis of various representative works from the ’50s to this day, belonging to the different subgenres of electro-acoustic music